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everyone knows that anything korg has made in the last 5-10 years has been pretty phfat / rich in sound quality.Step 1: Download an Android emulator for PC and Mac sure i can't get the arturia minimoog to sound exactly like a Moog Model D, but with some beefing and tweaking i can get it to about 96% sonic richness of the analog moog, that being said I can get sounds out of Massive and Zebra that sound fatter and richer than any textures i've heard from many big synths) Microkorg sound editor creating a new patch software#There is something to be said for the Hardware vs Software aspect, i think physically having the synth can sometimes encourage your exploration to another level, while some people argue that you can't achieve the sonic quality that comes from a hardware instrument through software plugins (which is BS by the way. The sounds are rich and unique enough that when tweaked to a custom configuration you will have more than enough cool sounds to make some killer tracks. The microKorg is a very powerful little synthesizer, especially considering it's cost. This is a question with both a YES and a NO answer. the filter is QUITE similar, the waveforms, while generated differently, are virtually identical sounding if actually setup correctly, and anything you could do in the past with a moog (like the amazing solo at the end of ELP's Lucky Man which was improvised on a moog back in the day) can be replicated perfectly on the microKorg and can sound just as thick and warm as the original moog.Ī glowing review!.now bring on the haters. If you actually compare the sound output from a real moog and the microKorg the tone is so close to identical as to be the same. I can tell you that the settings he used on the korg and moog are completely wildly incorrect for some of his comparisons - such as how he has two oscillators running on the moog and one on the korg at times, things like that. There's a (imho terrible) youtube video of a guy comparing microKorg sound with that of his minimoog or whatever model of moog it is. The microKorg does it almost perfectly and without being limited to monophonic, no note off, no keyboard-touch sensitivity for note volume, no pitch drift, and no lack of midi.Īnd the microKorg is deeper, has an arpeggiator, audio ins to process anything you want, vocoder settings that work just fine, allows small chords to be played, and can be used in a midi studio. it's a pain in the ass, as was the pitch drift over time.īut it was so cool, simple to go nuts with, even had an analog sequencer. that's what analog used to be, yea the stuff everyone clamors on about being so great. just one volume, the keyboard only triggered the tone and that was it. I grew up owning a moog "the source" analog synth with memory settable controls (it was quite amazing). Microkorg sound editor creating a new patch how to#anyone saying it's not thick doesn't know how to get tone from an analog synth. But don't pay too much for one in this day and age as the market is flooded with them ever since the Killers played for the teeny-boppers on 'The OC' In terms of sound, I don't think its as good as the latest generation of softs like the XILS pair, DCAM or UHE's Ace etc, and it's probably best for harsh rave/trance lead lines (the Prodigy love theirs in the studio and play 2 live) as opposed to analog sounding stuff. It's hard to sync the arpeggiator accurately as well in my opinion which makes things a bit harder too. That said it doesn't get a lot of use in a studio environment with me other than as a 2nd midi keyboard if replicating a b3 on the vb3 plug. Microkorg sound editor creating a new patch Patch#There is a new max for live patch that somebody has made with all the CCs mapped out quite well and automatable in ableton live, if your using that. It is harder to make a patch from start to finish with the matrix editor, but editing & tweaking is really great. ![]() You just need to remember what save is, unlock, etc. & the matrix editor is actually pretty nifty, too many people are really critical of it, but its much better than the weird software editor/preset manager from Korg. Put one beside the bass player who cant play piano, select a patch with a latching arp & watch him/her transform. Their hard to beat for a simple synth on stage with a band, or any live setting. ![]()
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